current and upcoming exhibitions

de novo

march 14 - april 18, 2025

Abattoir
Cleveland, OH

opening reception: friday, march 14, 6-8pm

texts

Dana Oldfather is a painter who has exhibited in galleries and museums including Library Street Collective, Detroit, Zg Gallery, Chicago, Kathryn Markel Fine Art, New York, Red Arrow Gallery, Nashville, Abattoir Gallery, Cleveland, and moCa Cleveland. She was awarded the William and Dorothy Yeck Award for Young Painters, two Ohio Arts Council Individual Excellence Awards, a Satellite Fund Emergency Relief Grant from SPACES Gallery and The Warhol Foundation and was a 2019 finalist for the Hopper Prize. Oldfather has been published in New American Paintings, Beautiful/Decay, and ArtMaze Magazine among others. Her paintings are in many collections including The Putnam Collection for Case Western Reserve University, The Cleveland Clinic, The Progressive Art Collection, and The Columbus Museum of Art. Dana Oldfather works and lives just outside Cleveland, Ohio, with her husband Randall and son Arlo.

bio

I’ve always felt a little off-balance and untethered, like the ground is falling or a breeze could pick me up. The world is moving too fast. I am overwhelmed, jumpy. Who is left to listen compassionately when everyone is screaming, and everyone is mad? Perhaps we should give more weight to our actions, no matter how small? The whole of our lives is built of innumerable events, one following another, obtusely influencing the next. In a world full of unknowns, change and impermanence are our only certainties. If I could come to terms with this, would my fear subside?

I communicate the dilemma of being through landscape. I bring my insides to bear on the outside and trepidation colors the scene. Broodingly, the atmosphere is thick, and the landscape psychedelically tinted like dawn, an eclipse, or a summer storm. Flora glows and becomes bulbous and fleshy, petal-like and feathery in the waning light. Reality is more than it seems. One follows the receding landscape out and away only to wash up again at the shores of one’s skin; hope; longing; loss. While building other worlds, the sense of my impermanence in an expansive, mysterious universe stretches out into broader context and I am free.

statement

photo keithberr.com